But on to SXSW news: The boys have several shows scheduled for their week in Austin, and they’d love to see you! Details below and keep in touch via Twitter and Facebook for the latest breaking news!

Mon, March 15 – Mohawk – ATX Emerge Showcase @ 8pm (RSVP!)
Thurs, March 18 - The Jackalope – Showcase @ 2:45pm (more info here!)
Fri, March 19 - Canvas Bar – Midwasteland Takeover @ 5pm (RSVP here!)
Fri, March 19 – Casa De Gallo @ 10pm (RSVP and more info here!)
Sat, March 20 – The Ghost Room – Team Clermont Showcase @1pm (more info here!)

Capybara member Darin Seal has released a solo record under the name Saharan Gazelle Boy and it continues my obsession with the Capybara gang. A beautiful record with more electronic leanings than Seal’s work with Capybara, Airplanes Can’t needs to be heard.
-Jonny Leather

[Y]ou should take your chance to download Saharan Gazelle Boy’s album Airplanes Can’t for just two dollars from The Record Machine…But be warned, it’s no folk what Saharan Gazelle Boy plays, it’s bedroom pop with some dream pop flavor to it…sometimes calm, sometimes the opposite. In the end a really nice album one should own.
-Common Folk Meadow

Your album is beautiful. I love this. It makes me want to make a movie about two kids that are on summer vacation on a nice island somewhere who totally have a romance and in august are pulled away because they have to go back to school in different cities.
-Mike Mohan, Writer/Director of One Too Many Mornings

Okay so!  If you want to download “Airplanes Can’t” (DID I MENTION IT IS ONLY TWO DOLLARS), then just click this here button:

And, you know, be sure to go to Saharan Gazelle Boy’s MySpace, because that is a thing that I am legally obligated to say (I have the weirdest lawyers!)

Please comment on this post and tell us what you think of “Airplanes Can’t.”  Seriously, if you like Capybara at all, you will definitely be into Saharan Gazelle Boy.  Trust us.

As I looked down at my official Sundance badge, (“Mark Harrison / Sundance 2010 / Composer / One Too Many Mornings”) I couldn’t help but smile as I scratched out my name and wrote “Capybara,” wishing that everybody in the band could have been there with me. The film finished, everybody who worked on the film walked up front for a brief Q&A, and then, the attention.

All of the awesome folks from the One Too Many Mornings crew gave so many compliments on the soundtrack — especially because it was many of THEIR first times hearing it as well. Because of their encouragement, we have decided to release the music from the soundtrack for an affordable $2, and we hope that you enjoy. (Click the button on the right to get started.)

I can’t say it enough. This whole collaboration has been such a pleasure, and I hope you all give this film a chance. Rent it on YouTube until 1/31 for $3.99, Buy it in HD for $9.99, or order a DVD and more at their official site.

Oh, and if you do buy the soundtrack, you might just get more than you bargained for.  Like, maybe an official OTMM Ringtone?

VERY FEW TIMES IN LIFE HAVE I BEEN SO WHOLEHEARTEDLY EXCITED BY THE PROMISE THAT OPPORTUNITY OFFERS ME AND MY FRIENDS. (can I please share some of this excitement with you now?)

Tonight is the WORLD PREMIERE for One Too Many Mornings, and I could not be happier. These talented folks have given so much insight into their near-flawless creative process, and I cannot wait for the public to have a chance to GIVE BACK – to show support and encouragement as we recognize their hard work and humble efforts to create something for us to enjoy.

So how do we support?

Immediately after the film premieres tonight at 6PM (MST), the film will be digitally delivered for anyone who has purchased it ($9.99), or as a package with the DVD ($19.99), (plus some other really creative, hilarious things to buy as well!). Just click on those little widgets above, or visit their website.

And for those of you who are still wondering why we have been getting so excited — well, we made the score to this movie.

We took 10 days to set up a little makeshift studio in the spare bedroom of Nathan Reusch’s (of The Record Machine) house, and we recorded and recorded. And now the movie is done, and we get to see our music alongside the picture, see how it compliments or adds or subtracts or just IS, and we are a part of the family. And we want to reach out and ask you to be a part of the family, too. This is the first music that we have made after touring Try Brother this past fall, and we would love to hear what you think about it.

Because the ways in which we access film and music and other forms of art are changing, a great deal of work has gone into preparing this film to be IMMEDIATELY available right after it premieres at Sundance, and this should speak volumes to the fact that we all want you to be a part of this family.

If we can share anything with you, we would love to do so. Please get in touch with us if you have any questions or if you would like to discuss anything further, (like how we got to be involved in a project that got invited to be a part of this famous festival?!) – I believe that there is a lot to learn from One Too Many Mornings’ approach, and we are lucky to be this close to their strategy that we can offer any insight if you have questions.

So yeah. Check it out. If you don’t gain anything from this, I’m sure we can find a way to make it up to you. Thank you so much. I hope you are staying warm, because even under the foot and a half of snow that has accumulated in the past 24 hours here in Park City, I am beaming.

For starters, since the day we returned, we have been hard-at-work throwing together a makeshift studio in the spare bedroom of Nathan’s house, laying down some new tracks for this amazing movie One Too Many Mornings. A little less than a month ago, our friends Anthony Deptula and Mike Mohan approached us, asking if we would like to compose some awesome new music for their awesome new movie, which would wrap just before the final deadline to submit the film for consideration of Sundance 2010.

Just a few days ago, Sundance posted their list of selections for the upcoming festival, and OTMM got their official invitation to The ‘Dance! After a short phone call in which I took the opportunity to ask Mike if he hadn’t hired somebody else like Yanni already to finish the score after hearing the news, we are still in disbelief that they want to use our new music to help them premiere this incredible film in front of such an excited audience in late-January of next year. We have such great friends.

Which brings me to my next point. We met the most famous-est REAL capybara ever. And we sang it a song.

I’m hyperventilating now, so I need to stop talking about all of this exciting stuff – but stay tuned, because there is plenty of news to come.  And if you live near Kansas City, come help us celebrate our first show back as apart of the Record Machine showcase this Friday night (12/11)  at the Czar Bar with some more friends. We would love to see your smiling faces. Oh, here is that video!

Click here to view the embedded video.

We are in Austin, at Epoch Coffee. I think we’ve been here for at least two hours a day for the last five days. When I last left you, Jared was back in Kansas City, but he came back a few weeks ago. Since then, we’ve had some pretty great things happen.

1. New Mexico treated us so well. We had one of our most amazing shows on tour in a little DIY venue called Heaven and Hell in Albuquerque. Imagine about sixty people jammbed into a mediumb-sized living roomb. Everyone was dancing and freaking out and loving it and we fed off of that energy because it soothes our souls and we also gain power from it, like in that movie Ravenous. For one week in college, Rennie from Range Life watched that movie about twice a day. But that’s besides the point! The point is that the Heaven and Hell show was great and we met a lot of lovely folks there. Also – we were the oldest people at that party. Seriously.

2. We went to a restaurant in Albuquerque (Frontier) where they serve Pace salsa with tortilla chips. Wow.

3. We had a show at the Equinox in Las Cruces, NM which was intimate and fun. Prior to that show, we had a great time hanging out with Ryan at KRUX college radio. We played a little acoustic set (Capybara’s first!) and then Mark made it into a lovely video, which can be found below:

Click here to view the embedded video.

4. We had two shows in one night in Santa Fe: the first was at the incredible Meow Wolf, and the second was at a house called Manhattan (I think). Meow Wolf has changed a lot since we last visited (in March). Since then they’ve built this amazing structure that “looks as though a toy box was spilled” as one of my friends put it. Bands perform INSIDE said structure, which you can see below:

That second show, by the way, was so amazingly fun. We played a hybrid acoustic/electric set that was really percussion-heavy. You couldn’t really hear any of our vocals (no mics) but that didn’t stop about twenty loyal Santa Feans from dancing like mad. I think they were all St. John’s students. Thanks, guys, we miss you already!

5. We played at the Center for Contemporary Arts in Santa Fe for two nights, and it was great. We continued to flesh out a quieter acoustic/electric set, and people seemed to dig it. Small crowds, yes, but it was lovely just to play in such an awesome space run by such incredibly passionate people.

6. And then, as quick as we came, we left New Mexico after getting one more meal at the incredible Counter Culture Cafe. What was supposed to be a fourteen-hour drive to Austin became an eighteen-hour ordeal that involved dissed mixtapes, passing dozens of dead deer on the side of the road, $8 crepes at IHOP, unsuccessfully listening to a book on tape, and sleep shirts that were so long they reached Dave’s knees.

7. But we made it! To Austin, that is! Aaaaand we couldn’t be happier. What a great town. I’ve always said, if I had millions of dollars, I’d own a summer house in Portland and a winter house in Austin (obvious joke: where would your spring house be? Williamsburg? And your fall house in Athens? Get it? HIPSTERS LIVE IN THOSE PLACES).

We had our latest-starting show ever (12:30) at a club called Momo’s on Wednesday and then drove down to Houston on Thursday for fajitas at Pappasito’s and a show at Super Happy Fun Land, which is about as amazing as DIY venues come. And there was a kitten named Tofu there! And I beat Jared (or somebody) at a game called Groove It Up (or something). Also, we realized that none of us know how to play Pick Up Sticks. Someone enlighten us in the comments, please.

8. Friday we went to the famous Stubb’s BBQ here in Austin, mostly out of nostalgia. You see, when we lived in Taos for three months (recording Try Brother), we ate basically the same food every week. Kosher hot dogs, deli sandwiches, pasta (usually on Wednesdays – Lost night!) and Stubb’s BBQ sauce. Needless to say, the restaurant didn’t disappoint. And tonight (Saturday) we are playing at The Mohawk for the ATX Converge Fest with a bunch of other sweet bands.

9. Which brings me to an important point (why am I still numbering these paragraphs)? Tonight’s show at The Mohawk is Capybara’s last pure venue show of this tour. It’s been eleven weeks, and we have one more to go. After tonight, all of our Austin shows will be at The Dobie Theater (which is a movie theater), and then we’ve got a Dallas house show and a show in Houston at a restaurant/venue. I can’t believe we’ve finally come to the end of this tour! Three months in tour-time is basically three-years in regular time.

10. It’s fitting that the most important thing we’ve done all tour is going to happen during our last week. Tomorrow. We. Are. Going. To meet. A real capybara. His name is Caplin Rous, and he is possibly the most famous capybara on all of YouTube. Here he is eating a popsicle:

Click here to view the embedded video.

Yeah. We’re going to be doing that tomorrow. It just so happens that Caplin and his owner live just outside of Austin. We are going to film the whole meeting and try to play him a song and hopefully that footage will eventually make it to your eyes.

Okay! That is basically everything I am excited about or everything I have been excited about. I hope this tides you over, internet. We miss you. No, not you, internet. We see you plenty. We miss everyone else. Especially these people:

Click here to view the embedded video.

I’m glad we’re talking again, too.

OKAY. So. Capybara has returned to glorious Taos, NM. This is where we recorded Try Brother back in January, February, and March of this year. As always, it’s gorgeous here, and for the second day in the row there’s not a cloud in the sky. We’ve been eating incredible enchiladas and feasting our eyes on those perfect gradients of southwestern sunsets. We’re staying with my lovely Mom and it’s just great. Except for the fact that Dave is really sick and we had the lamest Halloween ever. It wasn’t lame due to Taos or a lack of things to do, it was just lame because we are a lame band who would rather buy a bunch of candy and beers and watch a Thai horror film than drive to a sweet party somewhere.

We played in San Francisco, Santa Cruz, Petaluma, Los Angeles and San Diego. The San Francisco show was amazing, one of the best on tour. Santa Cruz made me angry, only because I didn’t go to college there (it should really be called UCTS – University of California: The Shire). Petaluma was great because we got to meet more of Dave’s family (uncle, aunt, cousins) and the weather was perfect. We stayed in Los Angeles for a week, setting up shop at the incredible Downtown Independent Theater (right next to The Smell) and playing sets before and after the various Range Life screenings. Oh! And a Capybara show was broken up by the cops for the first time. Naturally, it was the LAPD. We were playing on the roof of the Downtown Independent and about seven minutes into our set the cops showed up because there were some apartment buildings that were relatively close and it was 11pm. Oh well.

We moseyed down to San Diego on that Friday to play the last EVER show at a DIY venuehouse called The Habitat, then it was back up to LA to play at the Echo Curio. Then came Vegas. Short story: We didn’t do great. Gambling-wise, that is. And weather-wise. It was so windy that they shut down the pool. Seriously, Vegas?

Or, if you’re far from the desert, Capybara will be making an in-studio appearance tomorrow evening at KRUX in Las Cruces and playing the acoustic songs they’ve been working on this week.  You can listen tomorrow live via THIS LINK, and they should go on around 4pm MST!

And watch out, Texas:  Capybara will soon be taking Austin by storm.  Check out their updated tour dates here and stay posted to Twitter for additions!

The deadline for this contest is December 1st. To submit, please send your song in mp3 format to remix@therecordmachine.net.  To grab the original, vocal, and instrumental files, hop on over to The Record Machine’s website here.

If you need inspiration, check out these great submissions below!

Capybara – The Wimp [Sam Billen Remix]

Capybara – The Wimp [Cathead Remix]

We couldn’t be more thrilled!

Download the mix tape here, or here on Gorilla vs Bear, which includes the Where the Wild Things Are trailer version of Arcade Fire’s “Wake Up”!